Watching the Trump show from the distance afforded by my brief leave of absence has been like watching a frenzy of ants. It’s hypnotic, in part because it appears devoid of meaning. Keep your eye on the bouncing ball, goes the adage. But what if the ball is a blur?
When Trump was in business, his shtick was stiffing contractors. If confronted, he would try some bombast and storm out of meetings, as he did the other day with congressional leaders, ending talks on the partial government shutdown caused by a crisis he has manufactured. His shtick now is stiffing all Americans. The technique is the same: Keep reality at a distance through hyperactive fakery.
I have been fascinated by Trump’s compulsion. Like birds feasting on mangled flesh in the middle of the road, he cannot help it. Like travelers beset with reflex gluttony in airline lounges, he cannot help it. Like the sulking child denied a video, he cannot help it.
Like the dog that returns to its vomit, he cannot help it. Like a puppet on a string, he cannot help it. Like the scorpion that stings the frog ferrying it across the torrent, he cannot help it. It’s his nature, you see.
A manufactured crisis, I said. It’s worth recalling the 5,200 troops ordered to the southern border before the midterm elections to confront the “caravan of migrants.” This was an exercise in manipulative illusion.
Monthly crossings over the southern border have declined in recent years. The number of migrants apprehended has also fallen over the past decade, with a recent tick upward. There is no humanitarian crisis, just as not a single mile of additional wall has been built since Trump took office. But absent this noise, what does reality offer the president? Robert Mueller, Nancy Pelosi and Michael Cohen, the specters of his insomnia.
One of the books I read while away included Harry G. Frankfurt’s seminal essay, “On Bullshit.” Here I must excuse myself with readers who may find the bull word offensive. Please look away from the rest of this column. There really is no alternative to it, for Donald Trump is the Michelangelo of bullshit artists.
The essential distinction that Frankfurt, a professor of philosophy emeritus at Princeton University, makes is between lies and bull. As he writes, “It is impossible for someone to lie unless he thinks he knows the truth. Producing bullshit requires no such conviction.”
It is a habit “unconstrained by a concern with truth” whose essence is “not of falsity but of fakery.” The addict of bull “does not care whether the things he says describe reality correctly. He just picks them out, or makes them up, to suit his purpose.” He is “trying to get away with something.” His “focus is panoramic rather than particular,” and he shuns “the more austere and rigorous demands of lying.”
Frankfurt’s conclusion may be read as an ominous verdict on this president. The bull merchant “does not reject the authority of the truth, as the liar does, and oppose himself to it. He pays no attention to it at all. By virtue of this, bullshit is a greater enemy of the truth than lies are.”
It has been said that Trump’s extraordinary election victory owed much to his intuitions about the anger in the heartland. There is some truth in this. But his essential intuition was into the readiness of Americans, suspended between the real and the virtual, for a post-truth presidency.
Quinta Jurecic, in an important essay for the Lawfare Blog, set out the dangers inherent in this shift before Trump took office. In the essay, “On Bullshit and the Oath of Office: The ‘LOL Nothing Matters’ Presidency,” she cited Frankfurt and argued that Trump’s “foundational disrespect for meaning and consequence” — that is to say, for reality and the very concept of law — would make it “impossible for Donald Trump to faithfully execute the laws of this nation and the duties of the oath of office and to preserve, protect, and defend the Constitution.”
The president’s apparent readiness to “do national emergency,” as he put it, over a manufactured border crisis amounts to a perfect illustration of this danger. The Reichstag fire was at least a fire. Here there is only smoke and mirrors.
I would add one element to the reflections of Frankfurt and Jurecic on bull. There may be something amusing, or at least innocuous, about the bullshit artists encountered in a lifetime. They may be waved away. But in Trump the element of sadistic cruelty in his personality (mocking the disabled, for example), and the sheer gall of his fakery, make of him a malignant, rather than a benign, bullshit artist. He happens to occupy the world’s most powerful office.
Trump cannot help himself, I said. He can’t and won’t. But as citizens, “we have a duty to insist that words have meaning,” as Jurecic writes. If they don’t, neither does the Republic. That’s what the ants told me as I gazed at them, troubled and fixated.
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Roger Cohen has been a columnist for The Times since 2009. His columns appear Wednesday and Saturday. He joined The Times in 1990, and has served as a foreign correspondent and foreign editor. @NYTimesCohen
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Home » Analysis & Comment » Opinion | Donald Trump Just Cannot Help It
Opinion | Donald Trump Just Cannot Help It
Watching the Trump show from the distance afforded by my brief leave of absence has been like watching a frenzy of ants. It’s hypnotic, in part because it appears devoid of meaning. Keep your eye on the bouncing ball, goes the adage. But what if the ball is a blur?
When Trump was in business, his shtick was stiffing contractors. If confronted, he would try some bombast and storm out of meetings, as he did the other day with congressional leaders, ending talks on the partial government shutdown caused by a crisis he has manufactured. His shtick now is stiffing all Americans. The technique is the same: Keep reality at a distance through hyperactive fakery.
I have been fascinated by Trump’s compulsion. Like birds feasting on mangled flesh in the middle of the road, he cannot help it. Like travelers beset with reflex gluttony in airline lounges, he cannot help it. Like the sulking child denied a video, he cannot help it.
Like the dog that returns to its vomit, he cannot help it. Like a puppet on a string, he cannot help it. Like the scorpion that stings the frog ferrying it across the torrent, he cannot help it. It’s his nature, you see.
A manufactured crisis, I said. It’s worth recalling the 5,200 troops ordered to the southern border before the midterm elections to confront the “caravan of migrants.” This was an exercise in manipulative illusion.
Monthly crossings over the southern border have declined in recent years. The number of migrants apprehended has also fallen over the past decade, with a recent tick upward. There is no humanitarian crisis, just as not a single mile of additional wall has been built since Trump took office. But absent this noise, what does reality offer the president? Robert Mueller, Nancy Pelosi and Michael Cohen, the specters of his insomnia.
One of the books I read while away included Harry G. Frankfurt’s seminal essay, “On Bullshit.” Here I must excuse myself with readers who may find the bull word offensive. Please look away from the rest of this column. There really is no alternative to it, for Donald Trump is the Michelangelo of bullshit artists.
The essential distinction that Frankfurt, a professor of philosophy emeritus at Princeton University, makes is between lies and bull. As he writes, “It is impossible for someone to lie unless he thinks he knows the truth. Producing bullshit requires no such conviction.”
It is a habit “unconstrained by a concern with truth” whose essence is “not of falsity but of fakery.” The addict of bull “does not care whether the things he says describe reality correctly. He just picks them out, or makes them up, to suit his purpose.” He is “trying to get away with something.” His “focus is panoramic rather than particular,” and he shuns “the more austere and rigorous demands of lying.”
Frankfurt’s conclusion may be read as an ominous verdict on this president. The bull merchant “does not reject the authority of the truth, as the liar does, and oppose himself to it. He pays no attention to it at all. By virtue of this, bullshit is a greater enemy of the truth than lies are.”
It has been said that Trump’s extraordinary election victory owed much to his intuitions about the anger in the heartland. There is some truth in this. But his essential intuition was into the readiness of Americans, suspended between the real and the virtual, for a post-truth presidency.
Quinta Jurecic, in an important essay for the Lawfare Blog, set out the dangers inherent in this shift before Trump took office. In the essay, “On Bullshit and the Oath of Office: The ‘LOL Nothing Matters’ Presidency,” she cited Frankfurt and argued that Trump’s “foundational disrespect for meaning and consequence” — that is to say, for reality and the very concept of law — would make it “impossible for Donald Trump to faithfully execute the laws of this nation and the duties of the oath of office and to preserve, protect, and defend the Constitution.”
The president’s apparent readiness to “do national emergency,” as he put it, over a manufactured border crisis amounts to a perfect illustration of this danger. The Reichstag fire was at least a fire. Here there is only smoke and mirrors.
I would add one element to the reflections of Frankfurt and Jurecic on bull. There may be something amusing, or at least innocuous, about the bullshit artists encountered in a lifetime. They may be waved away. But in Trump the element of sadistic cruelty in his personality (mocking the disabled, for example), and the sheer gall of his fakery, make of him a malignant, rather than a benign, bullshit artist. He happens to occupy the world’s most powerful office.
Trump cannot help himself, I said. He can’t and won’t. But as citizens, “we have a duty to insist that words have meaning,” as Jurecic writes. If they don’t, neither does the Republic. That’s what the ants told me as I gazed at them, troubled and fixated.
Follow The New York Times Opinion section on Facebook, Twitter (@NYTopinion) and Instagram.
Roger Cohen has been a columnist for The Times since 2009. His columns appear Wednesday and Saturday. He joined The Times in 1990, and has served as a foreign correspondent and foreign editor. @NYTimesCohen
Source: Read Full Article